Most Popular
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Barack Obama and Me
It was the year 2000 and I was a young hungry reporter in Chicago covering a young hungry state legislator
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A Prison Cover-up During Hurricane Rita
For days after the storm, inmates in Beaumont lived without A/C, electricity or hot meals. Press releases kept saying everything inside was fine. Guards and prisoners agree — that was nothing but B.S.
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Little Bitty Burger Barn
"It's okay to be little bitty in the big city" is an apt slogan for this new burger joint, where sliders rule
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Live-Action Role-Players Get Boffed in Amtgard
Amid flailing swords and flying shields, these modern-day knights fight on
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Barack Obama and Me (256)
It was the year 2000 and I was a young hungry reporter in Chicago covering a young hungry state legislator
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A Prison Cover-up During Hurricane Rita (24)
For days after the storm, inmates in Beaumont lived without A/C, electricity or hot meals. Press releases kept saying everything inside was fine. Guards and prisoners agree — that was nothing but B.S.
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Are You Hot Enough for Citizen Lounge? (7)
All This Useless Beauty
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What's the Problem Houston? (5)
The city's skuzzy alt-rock scene thinks it is dying
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Live-Action Role-Players Get Boffed in Amtgard (5)
Amid flailing swords and flying shields, these modern-day knights fight on
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Are You Hot Enough for Citizen Lounge?
All This Useless Beauty
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What's the Problem Houston?
The city's skuzzy alt-rock scene thinks it is dying
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Rap's Rapidly Vanishing Female MC
The Why Chromosome
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A New Official State Song for Texas?
A case for a new or different, anyway state song
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Marilyn Manson's celebrity dating club
Mechanical Animals
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The Shaft: Red Bull's "Art of Can"
01:09PM 03/19/08 -
Last Week: Jason Webley at Notsuoh
06:06AM 03/19/08 -
Aeros Face Off Tonight Against the Quad City Flames. Bikinis Still to Come.
12:11PM 03/19/08 -
$13 at Zake Sushi Lounge
11:41AM 03/18/08
What we are writing about
- American Gangster
- Amy Sillman: Suitors...
- birth defects
- Bob Dylan
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- Continental Club
- Houston art
- Houston local music
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- Houston Rockets
- Houston theater
- I'm Not There
- illegal immigrants
- Main Street Theater
- McGonigel's Mucky Duck
- Meridian
- Perspectives 158:...
- players' scoring averages
- Proletariat
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- Sig's Lagoon
- Somerville
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- Toyota Center
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Recent Articles By Greg Ellis
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Pop Songwriter Night, with Arthur Yoria, Tody Castillo and Lanky
Thursday, July 28, at Rudyard's, 2010 Waugh Drive, 713-521-0521.
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A Wunderkind Looks at 40
Todd Snider is still talking the blues after all these years
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Various Artists
Por Vida (OR Music)
National Features
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Phoenix New Times
Canine Crusaders
That drug-sniffing dog up ahead? He may not be your best friend.
By Ray Stern -
Broward-Palm Beach New Times
The Muscle Men
Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.
By Michael J. Mooney -
Miami New Times
Picked On
Farm workers earn nada in America's green-bean capital.
By Janine Zeitlin -
Village Voice
"Why I'm No Longer a Brain-Dead Liberal"
An election-season essay from one of America's greatest playwrights.
By David Mamet
Poor Beaver Nelson. I'm sure the Houston native realizes by now that living in Austin is something of a mixed blessing. On the one hand, it's a place where a guy who perpetually looks like he's just crawled off this week's couch can get laid on a regular basis and hook up with a slacker genius like guitarist Scrappy Jud Newcomb to make a series of musically diverse albums without anyone breathing over his shoulder. On the other hand, the national press invariably lumps him in with other Texas singer-songwriters with whom he has little in common, and he's underappreciated at home to boot. Fortunately, it doesn't seem to bother him much. Motion is the latest installment in what is quietly becoming an impressive body of work.
Nelson's spiritual forebears are the singer-songwriters of the late 1970s, such as Graham Parker, Steve Forbert, Glen Tilbrook and Elvis Costello -- great lyricists who knew that the musical setting of a song is just as important as the lyrics. Newcomb may not get songwriting credit, but his contributions are an essential part of the mix. Nelson is a pithy lyricist and a good singer, and Newcomb's settings invariably shore up Nelson's strengths and minimize his weaknesses. "Too Many Words" is a song that might come off as too clever for its own good if Newcomb didn't wrap it all up with a left-field solo that's just too perfect for words.
Other standouts include "Let Us Build a Monument" and "Loving Arms of God," which manage to be spiritual and ironic at the same time; "It Really Shouldn't Be So Hard," which melds This Year's Model-era Costello to slacker culture; "It Is There," which could have come off any of the first three Graham Parker albums; "Orion's Belt" and "The Unfortunately Entitled Hey Little Mockingbird," which both feature outstanding lyrics and don't sound like anybody but Beaver Nelson; and "Webs on a Hubcap," whose lyrics about trying to create something beautiful against impossible odds pretty much sum up the whole album.
Beaver Nelson is a unique artist who, over the course of five remarkably consistent albums, has moved to the front ranks of the current crop of singer-songwriters. Motion is a damn good place to jump in and experience what he's all about.










