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For her part, Godmilow, who's in postproduction on a new nonfiction film, seems happy to be shaping the filmmakers of tomorrow rather than putting in grueling hours on the set. "I'm too tired, I think," she says with a tinge of resignation. "It's for young people. I know what it means to stand up there for 60 days on no sleep and hold a film in your head and try to make it happen. It's the hardest thing in the world. The Buuels and the Kurosawas -- how people are doing this in their 80s, I don't know."

Walkow, meanwhile, is living proof that where there's a moviemaking will, there's a way. In between projects, he has supported himself as a photographer, a novelist and even a videogame developer. And in an industry where there are few certainties, it's a safe bet that, upon his return from Slamdance, Walkow will be back in his Santa Monica office with his legal pad and his stopwatch. "I think it was Marcel Duchamp who said he liked to create a work of art every day," he says. "He had a piece of rope he would drop on the ground, and that was his work of art. And I'm like that: I have my pieces of rope, I drop them and that's okay."

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