Most Popular
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Barack Obama and Me
It was the year 2000 and I was a young hungry reporter in Chicago covering a young hungry state legislator
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Mescaline on the Mexican Border
Texas is the only state in the country where peyote is sold legally. Really.
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A Prison Cover-up During Hurricane Rita
For days after the storm, inmates in Beaumont lived without A/C, electricity or hot meals. Press releases kept saying everything inside was fine. Guards and prisoners agree — that was nothing but B.S.
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Little Bitty Burger Barn
"It's okay to be little bitty in the big city" is an apt slogan for this new burger joint, where sliders rule
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Ghost Town CFS: Carriage House Cafe
Step back in time to a spooky old carriage barn with a monster chicken-fried steak
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Barack Obama and Me (251)
It was the year 2000 and I was a young hungry reporter in Chicago covering a young hungry state legislator
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Save Lobo: A Siberian Husky Mix is Sentenced to Die (28)
Why? Because he's big and intimidating and because one family complained about him over and over again
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A Prison Cover-up During Hurricane Rita (15)
For days after the storm, inmates in Beaumont lived without A/C, electricity or hot meals. Press releases kept saying everything inside was fine. Guards and prisoners agree — that was nothing but B.S.
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Are You Hot Enough for Citizen Lounge? (7)
All This Useless Beauty
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Rotten to the Corps: A Question of Justice at Texas A&M (140)
Thanks to A& M and a district attorney, two cadets escape punishment for beating in a student's face
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Are You Hot Enough for Citizen Lounge?
All This Useless Beauty
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Tired of the Hype, But That's All There Is
Next month, Houston gets to be a cool kid. But only for a week.
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The improbable redemption of Ashlee Simpson
"La La" Love You
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Rap's Rapidly Vanishing Female MC
The Why Chromosome
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A New Official State Song for Texas?
A case for a new or different, anyway state song
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Over the Weekend: Fotos, Dogs and Sausage. And Hannah Montana Too.
08:50AM 03/10/08 -
Friday Night: Wilco at Verizon Wireless Theater
05:04PM 03/10/08 -
Spring Training Doesn’t Count, Except for When It Does
04:29PM 03/10/08 -
Sausage Fest: Bangers and Mash at Red Lion Pub
11:40AM 03/08/08
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- American Gangster
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Recent Articles By Valerie Alberto
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The Lower End Theory
Lower Life Form go live -- literally -- from the Heights
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Nas, Wu-Tang Clan, UGK, Pharoahe Monch, David Banner, Immortal Technique, Jedi Mind Tricks, Supernatural, Rahzel
Rock the Bells goes down Wednesday, August 8, at Reliant Arena, 1 Reliant Park, 832-667-1400.
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2007 Houston Press Music Awards Showcase
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Pase Rock
Pase Rock performs at Rockbox, 10 p.m. Thursday, July 26, at Proletariat, 903 Richmond, 713-523-1199.
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Squirreling Away the 'Nuttz
H-Town's most prominent hip-hop DJ crew heads back for the underground
National Features
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SF Weekly
The Candidate
Our columnist knows Ralph Nader's running mate all too well.
By Matt Smith -
The Pitch
How Not To Be a Rap Star
First of all, lay off the Ecstasy.
By Nadia Pflaum -
Village Voice
Project Runaway
What becomes a gossip columnist most?
By Michael Musto
Benefit for DJ Comp 1
The Nightfly learns a lesson in solidarity
As told to Valerie Alberto
Published: June 21, 2007Admittedly, it is a tad early for a Nightfly. It is 9 o'clock on a Friday night, and of all places, I am pulling into the parking lot of a church, Fellowship Christian Church, to be exact. I'm here to attend a benefit for DJ Comp 1, a.k.a. Joey Hernandez, who was involved in a serious car accident that landed him in intensive care at Ben Taub Hospital. He is currently undergoing rehabilitation and watching his medical bills stack up.
Well respected in the Houston hip-hop community, Comp 1 first established himself in the mid-'90s as a battle DJ and promoter with Reprogram Music. Victories at major DJ competitions helped put his crew Mathmatech Turntable Collective, which included familiar names Witnes and Ceeplus, on the map. Since then, Comp has been a mainstay of the Houston hip-hop scene. He DJs for local rappers Nosaprise and V-Zilla, and also with Houston's world-renowned break-dancing crew Havikoro. Comp and the Havikoro crew lend their talents to American Voices, a nonprofit organization that promotes global cultural exchange; they've performed in 35 countries. In addition, Comp hosts two monthlies All City at the G.R.A.B. Bar and The Bench at the Proletariat with BBC (B-Boy Craig).
It's no wonder, then, that in Comp's time of need, the local hip-hop community has rallied together. I walk into what looks to be the church banquet hall. Members of Comp's family are serving up Mexican food for donations. I make my way toward the music upstairs, stopping along the way to drop some money into one of the donation buckets. That's what this is all about, after all, Comp's medical bills. I look around the church's recreational center: Joe B. of the Rebel Crew is spinning from beneath a basketball hoop. People sitting in rows of folding chairs fill the gymnasium. Children play in the aisles. Break-dancers jam on the court. Graffiti art pieces by Article are on display for auction.
Comp's mother is seated in the back row. I chat with her for a bit. "I thank God first and all of these people all of Joey's friends. They just came together, and they're doing so many things for him. Look at all these people," she says.
Now it's Ill-Set's turn onstage. Havikoro follows, wowing the crowd with an amazing combination of breaking, lyrical and house routines. Proving that they are not to be outdone by the big boys, elementary-age b-boys take a turn. And Joe B. and son Scorpio take the stage as a father-and-son emcee duo. Friends and family close out the presentation with well-wishing and anecdotes about Comp.
DJ Ill-Set says of Comp: "He's taught me a lot. He is the reason I am who I am today as far as DJing. I could go a different route and be a club DJ, but I'd rather play soul and funk. He's introduced me to so much music. And because of him, I'm contributing to the culture here."
B-Boy Joel Martinez of Havikoro says: "We grew up in the same neighborhood. Comp [is] like a brother to all of us. He was one of the first guys to show me how to do some break-dancing. He taught me a 90 way back when he used to dance."
Joe B. says it best: "People came here for Comp, but more than that, people came for what Comp represents. I think he represents hip-hop, which automatically means that he represents me, he represents her, he represents them. It's not so much the great things we're doing for Comp but what Comp did for us. He threw it out to our eyes that we do stand together as one body, not just in the clubs or in the bars, but in real life. We all see how strong the hip-hop family here is when things like this happen." Comp 1 can be reached via www.myspace.com/Comp1.









