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Recent Articles By Daniel Mee

  • Rotten Piece
    Rotten Piece performs Thursday, June 28, at the Contemporary Arts Museum Houston, 5216 Montrose, 713-284-8250. TEF, Crawling Iris, Carlos Pozo and Werewolf Jerusalem also perform.
  • Radio Birdman
    Radio Birdman performs Tuesday, June 26, at the Meridian, 1503 Chartres, 713-225-1717.
  • Jerry's Kids
    Jerry's Kids perform Friday, June 22, at Walter's on Washington, 4215 Washington, 713-862-2513.
  • Necrophagist
    Necrophagist performs Friday, June 8, at the Meridian, 1503 Chartres, 713-225-1717. Arsis, As Blood Runs Black, Beneath the Massacre, Cattle Decapitation, Cephalic, Daath, Faceless and Ion Dissonance also perform.
  • Dan Deacon
    Dan Deacon performs Sunday, June 10, at the Mink, 3718 Main, 713-522-9985. Video Hippos, Wicked Poseur and the Wiggins also perform.

National Features

  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Between Motion Turns It On's Rima, Bring Back the Guns' Dry Futures and By the End of Tonight's half of split LP A Complex Full of Phantoms, southeast Texas officially has a true prog scene. Where MTIO thrives on texture and improvisation, Alvin's BTEOT aims to break the riff-density scale, assembling bits of Don Caballero, the Mercury Program, Dillinger Escape Plan and the Fucking Champs into musical structures as tight as a monkey's fist. Their unrelenting intensity and playful refusal to repeat anything at all can make BTEOT difficult to digest, but their songs' construction — impossible to predict yet effortlessly, indubitably logical — reveals a subtle, powerful intelligence. That's good prog in a nutshell. Yet even BTEOT are surpassed in capriciousness on Phantoms' second half by California genre-jumpers Tera Melos, who sound like Hella or the Cancer Conspiracy one minute — drummer Vince Rogers even pulls off a decent imitation of Hella's Zach Hill — and the Postal Service or Menomena the next. Although Tera Melos lack BTEOT's sense of purpose and flow, they are invigoratingly adventurous; their unannounced jumps from jazzy math-rock to mellow indie-rock to full-on electronic dance music may induce sonic whiplash in some listeners. Best is their emo/math-rock fusion of "Last Smile for Jaron," a welcome update of a subgenre largely abandoned since the late '90s.

Write Your Comment show comments (1)
  1. Great review.

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